Atomos Shogun Studio II 3RU Rackmount 4K Dual Recorder and Monitor
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Following the same core Atomos principles of record, play, monitor and edit, the Shogun Studio II allows you to overcome many of the challenges faced within live events, production galleries, post-production facility MCR, video wall playout, on set DIT, sports officiating and many more. It features dual 7-inch monitors that are designed and calibrated to enhance existing HD workflows and provide an affordable rack mount solution for creating 4K masters. Atomos has defined the ability to migrate away for MPEG-based GOP codecs with high levels of compression and reduced color accuracy by capturing content direct from the sensors of any camera that outputs a clean feed such as studio camera channels, Remote Pan Tilt Zoom and TX outputs from vision mixers. This also includes RAW outputs from large sensor cinematic cameras into highly efficient ProRes RAW codec or visually lossless industry standard Apple ProRes and Avid DNx edit ready codecs.
3RU Form Factor
The 3RU form factor offers a toolset beyond that of a simple recorder with features that could traditionally require up to 10u of equipment. Its short rack depth also means that it’s perfect for use in monitor bridges or small more mobile OB vehicles.
HDR and Color Pipeline Management
Supporting Log inputs from all major camera vendors to provide options for use of 3D LUTs with included Log to 709 and support for up to 8 cube files per recorder channel. The built in AtomHDR engine also provides support for Rec.2100 standards with options to monitor in HDR for LOG, HLG and PQ with output transfers to color gamuts, HDR monitoring with EOTF transform on output options for HLG, ST.2084 PQ in Rec.2020 or DCI-P3. Realtime Dolby Vision output tunneling allows for inputs to be dynamically output to supported HDR consumer TVs for client viewing, Gallery viewing or infield QC before final mastering via the Dolby eMCU in Post.
Video, Audio and Synchronization I/O
The rear of the Shogun Studio II provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outs alongside XLR audio I/O, Genlock and LTC input as well as loop through. Bi-directional SDI & HDMI signal convertors easily allowing the use of HDMI equipment such as DSLRs on input for routing to a mixer or LCD screens in the gallery to take a feed from and SDI multi viewer. Built into the IO is 4K to HD signal down convert on both SDI and HDMI. Redundant Dual Power Supply balances the power load and are lined to the user interface to provide warning if a PSU fails.
Advanced Record Modes
Beyond a simple recorder, the Shogun Studio II offers a number of different record modes that make it suited for a wide range of uses. Pre Roll: Continually cache record 8 seconds in HD or 2-3 seconds in 4k to make sure you never miss the action.
Multi Camera ISO Recording and Switching
Record up to 8 SDI inputs from cameras at up to 1080p60. Each bank of four inputs also benefits from a switched output allowing you to have two video switched or mange more feeds than you may have input for on your video mixer.
Fast Act Dual Record Button
The Shogun Studio II also includes a hardware button that allows for both channels to be set to start recording. Pressing the button on the front of the unit for 4 seconds will set both channels to start to record. With SSDs inserted and sources connect you can switch from playing back clips to dual recording in under 10 seconds or even if the devices is not turn on to jump to recording from a cold boot in under round 20 seconds.
Main
| Mount Type | Rackmount |
| Supported Resolutions | 4K UHD |
| Monitor Type | Production Monitors |
| Display Configuration | Dual Display |
| Configuration | Core |
- 447 x 152 x 280mm, 17.6 x 6.0 x 11.0 inch
- 490 x 152 x 280mm, 19.3 x 6.0 x 11.0 (including rack ears)
- 720p 50/60, 1080i 50/60
- 1080p 24/25/30/50/60/100/120/200/240
- 2160p 24/25/30/50/60
- 720p 50/60, 1080i 50/60
- 1080p 24/25/30/50/60/100/120/200/240
- 2160p 24/25/30/50/60
- 2ch balanced XLR analogue in/out
- Dynamic range >90dB
- ProRes RAW, ProRes
- CinemaDNG (CDNG up to 30p only)
- Avid DNxHD
- FS700, FS-5, FS-7, FS-7MkII
- 4K DCI; 24/25/30/50/60p
- 4K UHD; not supported in camera
- 2K; 24/25/30/50/60/100/120/200/240p
- 1080; not supported in camera
- C300MKII/C500 CDNG
- 4K DCI; 24/25/30p
- 4K UHD; 24/25/30p
- 2K; not supported in camera
- 1080; not supported in camera
- VaricamLT, EVA1
- 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
- 4K DCI; 24/25/30/50/60p
- 4K UHD; 24/25/30/50/60p
- 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
- Supported base resolution and FPS from cameras
- 1080p: 23.98/24/25/29.9/30/50/59.94/60p
- 1080i: 50/59.94/60i
- 720p: 50/60p
- PSF inputs converted to P but looped out as PSF
- Supported FPS and resolution from gaming consoles and graphic cards
- 24/25/30pSF > 24/25/30p (2:2 pulldown)
- 60i > 24p (3:2 pulldown)
- Dolby Vision, Canon, Sony
- Atomos Open Standard RS422
- 9-pin transport control on qualified controllers
- SDI: SDI trigger camera selectable
- LANC control - Slave / Calibration on front.
- Serial - Calibration on front
- All recorded files can playback
- Playback in slow motion >= 100fps
- DNxHR / DNxHD (recorded content)
- All recorded files can playback
- Playback in slow motion >= 100fps
- Up to 8 streams in 60pHD in parallel
- Custom timelapse Yes
- Master caddy case: Master Caddy II (included) (75 x 105 x 12mm)
- Supported applications: Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke
Atomos Shogun Studio II 3RU Rackmount 4K Dual Recorder and Monitor
General
| Weight | 5.0kg / 11lb |
| Rack height | 3 RU |
| Rack mounting | Removable rack ears |
| Dimensions (W x H x D mm) | |
| Construction | Steel construction for durability |
| Cooling | Actively controlled fan with heat sinks |
Power
| Operating power | 20-86W |
| Compatible batteries | No |
| DC out | No |
Touchscreen
| Size | 7.2 inch |
| Resolution | 1920 x 1200 |
| PPI | 325 |
| Aspect ratio | 16:9 native |
| Color Gamut | Up to Wide color gamut (105% DCI-P3) |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 4:3 |
| Technology | Dynamic AtomHDR zoned backlight |
Dynamic ATOMHDR Technology
| Backlight | Direct LED |
| Zones | 360 direct backlight individual LEDs |
| LEDs | Wide Color Calibrated D65 or D95 |
| Bit depth | 10-bit (8+2 FRC) |
| Color | DCI-P3 105% |
| Brightness | 3000nit (+/- 10%) |
| Control | On the fly real-time brightness analysis for LED control |
| HDR conversion | Log/RAW to HLG or PQ, Dolby Vision Loop out |
HDR Monitoring Quality
| Gamma | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 / RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG |
| Gamut | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 |
Video Input/Loop Out (Per Channel)
| HDMI | 1 x HDMI (2.0) |
| SDI | Quad Link 4 x 3G/6G SDI, 4 x 3G-SDI, 2x 12G single link SDI |
| Signal (camera dependent) | Uncompressed true 10-bit or 8-bit 422 |
| LTC (Record Mode Only) | LTC input signal and loop out |
| Genlock (Playback Mode Only) | Genlock input signal and loop out |
Video Output
| HDMI | 1 x HDMI (2.0) |
| SDI (Play Out) | 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Video Signal Conversion
| HDMI to SDI | |
| SDI to HDMI |
Audio
| In/Out (48KHz PCM Audio) (Per Channel) | |
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | |
| Max signal level +24dBu | 48V Phantom Power for Mic |
| Headphone out | 3.5mm 2ch |
Supported Codecs and Frame Rates (Record and Playback)
| Raw to | |
| Sony | |
| Canon | |
| Panasonic | |
| 2K DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD | 24/25/30/50/60p |
Onboard Processing
| Pulldown removal | |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in all RAW modes) |
Remote Start/Stop
| HDMI | Auto HDMI Trigger |
| Supported protocols | |
| Other |
Playback
| Playlist / Genlock / LTC | Yes / Yes / No\ |
| CDNG (Recorded content) | No support |
| ProRes (Recorded content) |
Recording
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| ISO record | |
| Supported media | 2.5-inch SSD/HDD compatibility depends on recording format, resolution and frame rate |
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.







