Electro-Harmonix Pico POG Powerful Compact Polyphonic Octave Generator Three-Mode Tone Control Pedal
Product highlights:
- Powerful and compact polyphonic octave generator pedal
- Lightning-fast tracking with perfectly precise octave tones
- 3 volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices
- Features tone knob with three filter modes
- 3-mode tone controls tailor sound to fit into any pocket
- Sub-octave adds a stumble, rumble, or monstrous thunder
- 3 controls act as a mixer for infinite possible voice mixes
In the box
Electro-Harmonix Pico POG Powerful Compact Polyphonic Octave Generator Three-Mode Tone Control Pedal
- Electro-Harmonix Pico POG Powerful Compact Polyphonic Octave Generator Three-Mode Tone Control Pedal
- Power Adapter
- Limited 1-Year Warranty
Electro-Harmonix Pico POG Powerful Compact Polyphonic Octave Generator Three-Mode Tone Control Pedal
Music’s best octave pedal in a powerhouse Pico package! The Electro-Harmonix Pico POG Polyphonic Octave Generator Pedal is the smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs, fits them all into an ultra-compact chassis, and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.
Features
The Electro-Harmonix Pico POG features a lightning-fast feel that will track every note and chord you play with precision. Dial in the sub-octave to add a stumble, rumble, or monstrous thunder. Add Octave Up for ethereal air, or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat, synthy madness. The three-mode Tone control lets you tailor your sound to fit into any pocket, no matter how massive or small.
Controls
Controls on the Pico POG include dedicated volume knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all three voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.
Ratings and reviews
