Fujifilm GFX 100 Medium Format Digital Camera
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GFX 100 combines decades of experience, knowledge and research into a mirrorless large format camera that redefines the boundaries and limitations of how photographers and filmmakers creatively express themselves. By raising the bar in large format auto-focus performance, being the first large format system to have in-body stabilization, and providing filmmakers with a way to push the limits of wide format 4K/30p motion capture, GFX 100 is not only reshaping how images are being made, but it is also redefining large format for the world’s next generation of image makers.
Resolution Redefined
The FUJIFILM GFX 100 pairs a newly developed back-illuminated 102MP imaging sensor with the blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing color fidelity, rich shadow detail and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the color filter array. This reduces noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO160. Sharpness is also enhanced, while moire and false colors are near eliminated through the omission of an optical low-pass filter.
Enhanced Stability When it Matters
High-resolution image sensors require a particularly high level of stability to ensure image clarity and sharpness. Small vibrations can often cause interruptions during the capture process and may even lead to soft and out of focus images despite the use of a tripod. GFX 100 addresses these critical issues by providing filmmakers and photographers with built-in 5-axis image stabilization. A dedicated dual processor works together with gyroscopic accelerometers to achieve sensor stability with speed and precision to provide up to five stops of image stabilization, even if the camera is fitted with a non-optically stabilized FUJINON lens. Precise large format capture is now feasible in low-light conditions or when shooting handheld.
Practical Auto-Focus for Large Format
Compared to traditional large format digital systems, GFX 100 raises the bar in auto-focus performance by utilizing AF phase detection pixels (2.16 million total) across most of the sensor to help photographers obtain focus wherever they choose to position their subjects in the frame. At approximately 100% coverage, increased auto-focus performance with speed and accuracy is now a complete reality for photographers needing optimum performance in subject tracking, face/eye detection and low-contrast environments. The low-light threshold for phase detection AF has been expanded from +0.5EV in previous-generation camera systems to -3.0EV.
Pushing Creative Boundaries for Filmmakers
While digital cinema has pushed into the world of larger format (35mm x 24mm), limited options still exist for creatives interested in big sensors. With a sensor size of 43.9mm x 32.9mm, GFX 100 offers filmmakers a viable alternative in achieving their creative visions. The new sensor and processor combination support 4K video recording at 30p/10bit with a uniquely cinematic, large format look for cinematographers who want exceptional control over depth of field and film-like tonality. With the ability to apply Fujifilm’s highly respected Film Simulations, record in F-Log Rec 2020, and capture 10-bit, 4:2:2 uncompressed footage through the HDMI port, GFX 100 should certainly be coming soon to a screen near you.
Capture One Supported
Tethered capture is a necessity for many professional large format camera users and the GFX 100 works with Capture One software to help photographers create, manage, and maintain a streamlined workflow from capture through to delivery. With Capture One, raw Fujifilm images can be processed quickly with the option to apply Fujifilm's unique Film Simulations during file conversion for even greater artistic possibilities.
Imaging
| Lens Mount | Fujifilm G-Mount |
| Camera Format | Full Frame 645 |
Video
| Video Resolution | Ultra HD 4K |
Physical
| Camera Series | GFX Series |
| Camera Model | Fujifilm GFX |
| Configuration | Core |
| Color | Black |
Miscellaneous
| Lens Included | Body Only |
- <4:3> 11648×8736
- <3:2> 11648×7768
- <16:9> 11648×6552
- <1:1> 8736×8736
- <65:24> 11648×4304
- <5:4> 10928×8736
- <7:6> 10192×8736
- <4:3> 8256×6192
- <3:2> 8256×5504
- <16:9> 8256×4640
- <1:1> 6192×6192
- <65:24> 8256×3048
- <5:4> 7744×6192
- <7:6> 7232×6192
- <4:3> 4000×3000
- <3:2> 4000×2664
- <16:9> 4000×2248
- <1:1> 2992×2992
- <65:24> 4000×1480
- <5:4> 3744×3000
- <7:6> 3504×3000
- Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
- P mode: 4sec. to 1/4000sec.
- A mode: 30sec. to 1/4000sec.
- S/M mode: 60min. to 1/4000sec.
- Bulb mode: up to 60min.
- P mode: 4sec. to 1/16000sec.
- A mode: 30sec. to 1/16000sec.
- S/M mode: 60min. to 1/16000sec.
- Bulb mode: up to 60min.
- P mode: 4sec. to 1/4000sec.
- A mode: 30sec. to 1/4000sec.
- S/M mode: 60min. to 1/4000sec.
- Bulb mode: up to 60min.
- P mode: 4sec. to 1/16000sec.
- A mode: 30sec. to 1/16000sec.
- S/M mode: 60min. to 1/16000sec.
- Bulb mode: up to 60min.
- P mode: 4sec. to 1/16000sec.
- A mode: 30sec. to 1/16000sec.
- S/M mode: 60min. to 1/16000sec.
- Bulb mode: up to 60min.
- [DCI4K (4096×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min.
- [4K (3840×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min.
- [Full HD (2048×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min.
- [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min.
- * For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
- * For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
- * Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
- CH Approx. 5.0fps (JPEG: 41 Frames Lossless compression RAW: 14 Frames Uncompressed RAW: 13 Frames)
- CL Approx. 2.0fps (JPEG: Endless Lossless compression RAW: 20 Frames Uncompressed RAW: 15 Frames)
- *When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps.
- *Electronic Front Curtain Shutter support CL only.
- *Recordable frame depends on recording media.
- *Speed of continuous shooting depends on shooting environment and shooting frames.
- Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame)
- Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid
- Wide/Tracking AF: (up to 18 area) * AF-S: Wide / AF-C: Tracking
- All
- Coverage of viewing area vs. capturing area: Approx. 100%
- Eyepoint: Approx. 23mm (from the rear end of the camera's eyepiece)
- Diopter adjustment: -4 - +2m-1
- Magnification: 0.86× with 50mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1
- Diagonal angle of view: Approx. 41° (horizontal angle of view: Approx. 33°)
- Built-In Eye Sensor
- DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
- Full HD (2048×1080)/Full HD (1920×1080) 59.94p/50p/29.97p/25p/24p/23.98 200Mbps
- *When ACROS or Black&White is selected.
- 2402 - 2480MHz (Center frequency)
- IEEE802.11a/b/g/n/ac (standard wireless protocol)
- WEP/WPA/WPA2 mixed mode
- Infrastructure
- USB Type-C (USB3.2 Gen1x1)
- HDMI Micro connector (Type D)
- ø3.5mm, stereo mini connector (Microphone)
- ø3.5mm, stereo mini connector (Headphone)
- ø2.5mm, Remote Release Connector
- DC IN 15V Connector
- *Compatible with AC-15V (Optional) Only
- Hot shoe
- Synchronized terminal
- NP-T125 (x2) Li-ion battery (included)
- Approx. 800 frames When GF63mmF2.8 R WR is set. (2 batterys installed, Auto power save ON)
- [4K] Approx. 100min. [Full HD] Approx. 150min. *Face detection is set to OFF
- [4K] Approx. 170min. [Full HD] Approx. 240min. *Face detection is set to OFF
Fujifilm GFX 100 Medium Format Digital Camera
| Number of effective pixels | 102 million pixels |
| Image sensor | 43.8mm×32.9mm Bayer array with primary color filter |
| Sensor cleaning system | Ultra Sonic Vibration |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-512GB) UHS-I / UHS-II / Video Speed Class V90 |
| File format of still image | JPEG (Exif Ver.2.3), RAW: 14bit / 16bit RAW (RAF original format), RAW+JPEG, 8-bit /16-bit(10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only) |
| Number of recorded pixels - Large | |
| Number of recorded pixels - Medium | |
| Number of recorded pixels - Small | |
| Lens mount | FUJIFILM G mount |
| Sensitivity standard output | AUTO1/AUTO2/AUTO3 (up to ISO12800) / ISO100~12800 (1/3 step) (Movie: AUTO / ISO200~12800) |
| Sensitivity extended output | ISO50 / 25600 / 51200 / 102400 (Movie: ISO25600) |
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
| Exposure compensation | -5.0EV - +5.0EV 1/3EV step (Movie: -2.0EV - +2.0EV) |
| Shutter type | Focal Plane Shutter |
| Image stabilizer mechanism | Image sensor shift mechanism with 5-axis compensation |
| Image stabilizer compensation effect | 5.5 stops (based on CIPA standard) |
| Mechanical shutter speed | |
| Electronic shutter speed | |
| Electronic Front Curtain Shutter | |
| Mechanical + Electronic Shutter Speed | |
| Electronic Front Curtain Shutter + Electronic Shutter | |
| LCD monitor | 3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type (Three Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage) |
| Movie file format | MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling) |
| Synchronized shutter speed for flash | 1/125sec. or slower |
| File size / Frame rate / Recording time | |
| Continuous shooting | |
| AE bracketing | (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV, 5/3EV, 2EV, 7/3EV, 8/3EV, 3EV) |
| Film simulation bracketing | (Any 3 types of film simulation selectable) |
| Dynamic range bracketing | (100%, 200%, 400%) |
| ISO sensitivity bracketing | (±1/3EV, ±2/3EV, ±1EV) |
| White balance bracketing | (±1, ±2, ±3) |
| Focus bracketing | (Frames: 1-999, Step: 1-10, Interval: 0-10s) |
| Focus mode | Single AF / Continuous AF / MF |
| Focus type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
| AF frame selection | |
| White balance | Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater |
| Self-timer | 10sec. / 2sec. |
| Interval timer shooting | Yes (Setting: Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) |
| Flash sync mode | 1ST CURTAIN / 2ND CURTAIN / AUTO FP (HSS) |
| Flash mode (when EF-X500 is set) | TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF |
| Hot shoe | Yes (dedicated TTL flash compatible) |
| Viewfinder | 0.5 inch approx. 5.76 million dots OLED color viewfinder |
| Touch screen shooting mode | Touch AF, Focus Area, OFF, Double Tap ON/OFF setting, Touch Function ON/OFF setting |
| Touch screen playback mode | Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF selectable) |
| Sub LCD monitor | 1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor |
| Rear sub monitor | 2.05 inch, Aspect Ratio 4:1, 256×64-dot Monochrome OLED Monitor |
| Movie compression | All Intra/Long-GOP |
| * All Intra can be used with following settings | |
| Film stimulation code | 16 modes (PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, ETERNA / CINEMA, Black and White, Black and White+Ye Filter, Black and White+R Filter, Black and White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter) |
| B & W ADJ. (Warm/Cool) | '-9 - +9 |
| Grain effect/Color chrome effect/Smooth skin effect | STRONG, WEAK, OFF |
| Dynamic range setting | AUTO, 100%, 200%, 400% |
| Photography functions | D range priority, Highlight tone, Shadow tone, Color, Sharpness, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, AF-C custom setting, Store AF mode by orientation, AF point display, Pre-AF, AF Illuminator, Face/Eye detection AF, AF+MF, MF assist(Digital Split Image, Digital Microprism, Focus peak highlight), Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Flicker reduction, Mount adapter setting, 35mm Format Mode, Red eye removal, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, AWB lock, Multiple exposure |
| Movie functions | Interframe NR, F-Log/HLG recording, Peripheral light correction, Movie AF mode, 4K movie output, Full HD movie output, HDMI output info display, 4K HDMI standby quality, HDMI rec control, Zebra setting, Zebra level, Audio setting, Time code setting, Tally light, Movie silent control |
| Playback functions | Switch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2), Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alert |
| Bluetooth | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Wireless transmitter | |
| Wireless function | Geotagging, Image transfer (Individual image/Selected multiple images), View & Obtain Images, instax Printer Print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF setting, Auto image transfer, Smartphone Sync. Setting, Wireless com. frequency setting |
| Other functions | Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Regulatory, Sound set-up, EVF brightness, EVF color, EVF color adjustment, LCD brightness, LCD color, LCD color adjustment, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Natural live view, Framing guideline, Auto rotate PB, Focus scale units, Dual display setting, Disp. custom setting, Large indicators mode(EVF/LCD), Large indicators disp. setting, Information contrast adj. Sub monitor setting, Rear sub monitor setting, Sub monitor background color, Rear sub monitor brightness, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Command dial setting, Shutter AF, Shutter AE, Shoot without lens, Shoot without card, Focus ring, Focus ring operation, AE/AF-Lock mode, AWB-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Performance, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Select slot, Select Folder and Create Folder, Copyright Info |
| Terminal | |
| Power supply | |
| USB power supply | Support USB PD (Power Delivery) power source to supply or rapidly recharge battery (USB PD Rev2.0 ver1.3) |
| Operating temperature | -10°C - 40°C (+14°F - +104°F) |
| Operating humidity | 10% - 80% (no condensation) |
| Starting up period | Approx. 0.4sec. *Fujifilm Research |
| Product Weight | 3.09 lb / 1.40 kg |
| Product Length | 4.05inch / 102.87 mm |
| Product Width | 6.15inch / 156.21 mm |
| Product Height | 6.44inch / 163.58 mm |
| Color | Black |
| Country of Origin | Made in Japan |
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
























