Panasonic Lumix S5II Hybrid Full Frame Mirrorless Camera Body with 24-105mm Macro OIS Lens Bundle
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Panasonic LUMIX Full Frame Camera Firmware Update - S5II Firmware V3.0 and S5IIX Firmware V2.0
Offering fast, accurate phase hybrid autofocus, the LUMIX S5II mirrorless camera is designed to deliver excellent performance in both photo and video. The 24.2-megapixel 35mm full-frame CMOS sensor complies with PDAF (Phase Detection Auto-Focus) with 5-axis Dual I.S. 2 image stabilization and an imaging engine that's been developed to achieve high resolution, natural description, and approximately 2x higher-speed signal procession for high bit-rate video recording. With the high dynamic range and broad colors of a 14 plus stop V-Log and V-Gamut capture, and an advanced heat dispersion mechanism for unlimited video recording and live streaming, the S5II is developed to meet the demands of ambitious creators with an assertive shooting style.
Firmware Update
Listening to creators’ needs, S5II Firmware V3.0 and S5IIX Firmware V2.0 deliver efficiency in both production and post-production workflows, providing important time (and therefore cost) saving benefits. The firmware updates improve the shooting experience and enhances sharing functionality - compatibility with Adobe Camera to Cloud (Frame.io) and Proxy video recording; improved basic performance with improved real-time AF recognition system (animal eye, car, and motorcycle recognition); enhanced E.I.S. performance by adding HIGH mode in the E-stabilization (video) and a perspective distortion correction.
24.2-Megapixel 35mm Full-Frame CMOS Sensor
Developed to achieve high resolution, natural description, and approximately 2x higher-speed signal processing, powered by L Technology.
Fast, Accurate Phase Hybrid Autofocus
Advanced subject detection and metering technologies capture the target subject in focus even in adverse lighting conditions; once locked on the subject, it keeps tracking even with multiple moving objects.
Powerful Image Stabilization
LUMIX's newly developed Active I.S., which supports walking shots, further enhances image stabilization in video recording.
Expressive Video Functionality
14 plus stop V-Log and V-Gamut capture delivers a high dynamic range and broad colors, plus a REAL TIME LUT function is provided to enable in-camera photo and video color grading, with LUT6K 30p Open Gate unlimited recording.
Unlimited Video Recording
The heat dispersion mechanism combines a small fan and high-efficiency heat sink to achieve unlimited video recording while keeping the camera size compact.
Panasonic LUMIX S 24-105mm f/4 L-Mount Macro OIS Lens
The Panasonic LUMIX S-R24105 24-105mm f/4 Macro Lens with OIS is a versatile standard zoom lens covering wide-angle to medium-telephoto with high-descriptive performance across the entire zoom range. The LUMIX S Macro Lens enables 0.5x macro shooting with a minimum focus distance of 0.3m so you can photograph small subjects at very close distances. This macro lens is compatible with the interchangeable Full Frame L-Mount.
Optical Image Stabilizer
The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for hand-shake movement, making it easy to shoot without a tripod.
Focus System
This Panasonic LUMIX lens offers high-precision Auto Focus to capture every photo opportunity. The focus clutch mechanism enables both instant AF/MF switching and accurate manual focusing. Focus breathing is suppressed making it an excellent choice for video recording.
Construction
Camera performance, lightweight construction, and Dust/Splash/Freeze-Resistant Design are some of the features you’ll enjoy while shooting with the Panasonic LUMIX S Series lens.
Panasonic LUMIX S 50mm f/1.8 L-Mount Lens (Full-Frame Format)
The LUMIX S 50mm F1.8 is a large-diameter standard lens compatible with all L-mount cameras for maximum versatility, yet it has a compact size and weight. Ideal for a wide range of photography, from landscape to portraits and snapshots, this lens uses three aspherical lenses to achieve both high depiction performance and beautiful bokeh. An excellent choice for video, it suppresses breathing during focus and realizes smooth exposure change by micro step control of the aperture, enabling high-quality video expression. By using one ED lens, chromatic aberration is well suppressed.
This compact, lightweight, and dust, splash, and low-temperature resistant lens is easy to carry and dependable even when shooting outdoors.
The LUMIX S 50mm F1.8 is comprised of nine lens elements in eight groups including three aspherical lenses, one ED (Extra-Low Dispersion) lens, and one UHR (Ultra-High Refractive Index) lens. The use of three aspherical lenses realizes both high descriptive performance and beautiful bokeh, which are common advantages to the series of all F1.8 lenses. It is suitable for snapshots including portrait to landscape.
The ED lens effectively suppresses chromatic aberration. The LUMIX S 50mm F1.8 also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography. Together with a micro-step aperture control for smooth exposure change, professional-quality video can be recorded.
With its compact, approximately 300g of lightweight, the LUMIX S 50mm F1.8 features stunning mobility. The rugged dust/splash-resistant* design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter diameter is 67 mm, with a 9-blade circular aperture diaphragm.
Saramonic VMIC5 Pro Camera-Mount Shotgun Microphone
The Saramonic Vmic5 Pro is an advanced super-cardioid on-camera condenser shotgun microphone that delivers a premium, full-frequency, broadcast-quality sound for a remarkable price. Packed with impressive features and flexible sonic controls, yet still sleek, lightweight, and compact. It’s ideal for advanced content creators, filmmakers, journalists, and vloggers looking for a versatile shotgun that can give their productions the best possible sound. It features a super-cardioid polar pattern that provides focused directionality and excellent off-axis rejection of audio from sides and rear with a full-sized interference tube. Making the Vmic5 Pro capable of reproducing the wider frequency response of a professional XLR shotgun, but with 3.5mm output and a much smaller, lightweight form factor.
High-Quality Sound with Advanced Controls
The Vmic5 Pro features a powerful array of audio controls to tailor the mic’s sound and performance to get an optimum recording. A 3-stage gain control with +20dB boost for ultra-clean gain on cameras with noisy preamps, 0dB for high-quality preamps, and -10dB pad for cleanly capturing loud sounds without distortion. Selectable 75Hz and 150Hz high-pass filters to eliminate low-frequency noise that can ruin a recording. And a +5dB high-frequency boost to compensate for frequencies lost when using the included furry windscreen. It also features a handy auto power function, turning the Vmic5 Pro on when you power up your camera and off when you power down, automatically.
Run-and-Gun Ready, with Premium Full-Frequency Sound
This lightweight and compact microphone feature a full-sized 5 x 0.9-inch interference tube, making it capable of the wider frequency response, detailed sound, and off-axis rejection of a pro XLR shotgun, but in a mini-shotgun form-factor. An ideal choice for DSLR, Mirrorless, and Video Cameras shooters who need the sound and performance of a real shotgun mic but need a mic small enough for run-and-gun action. Built with durable ABS construction, the Vmic5 Pro is rugged enough to survive the demanding world of video production, and still fit in your camera bag.
Headphone Monitoring, Intelligent Connectivity, and Power for Days
The Vmic5 Pro features a 3.5mm headphone output to monitor your sound, a vital feature if your camera lacks a headphone out. It features a side-mounted 3.5mm microphone output with a short, coiled cable to connect to cameras, mixers, and recorders. Because the cable is removable, it also allows users to use any 3.5mm TRS output cable or adapter in its place. The Vmic5 Pro also features an internal 2000mAh lithium-ion battery with up-to 120-hours of runtime and can even be powered externally, via its USB-C (DC 5V/1A) charging connector.
Ready for Action, Anywhere You Need It
Whether you are filming indoors, or outdoors, the Vmic5 Pro is ready to film anywhere, anytime. Both a foam windscreen and a furry windshield are included. Allowing you to film with confidence wherever the action is, without the need to purchase additional wind protection. An advanced integrated shock mount isolates it from unwanted vibration noise when in motion and includes a camera-shoe mount with metal 1/4 inch-20 thread, allowing you to easily mount it to cameras, boom poles, stands, camera cages, and tripods with ease
Kingston Canvas React Plus V60 UHS-II 128GB SD Memory Card with 280MB Per Second Read Speed
Koah Pro DMW-BLK22 Battery for Panasonic Camera (7.2V, 2250mAh)
The Koah DMW-BLK22 Lithium-Ion Battery Pack replaces the Panasonic DMW-BLK22. This durable rechargeable battery features 2250mAh and is rated at 7.2V. It is equipped with premium Japanese cells to provide maximum battery life and also comes with a 3-year manufacturer warranty.
More Power
This Koah replacement battery for Panasonic DMW-BLK22 is rated at 7.2V with a capacity of 2250mAh for a longer run time than the Panasonic original. Equipped with premium lithium-ion cells to provide maximum battery life, the battery also comes with a 3-year manufacturer warranty.
Compatibility
The Koah batteries are completely compatible with all Panasonic original equipment, including the Panasonic charger. This Koah 2250 mAh li-ion battery can power the LUMIX S5, GH5, G9 and GH5s cameras. It is compatible with the original Panasonic DMW-BTC15 charger or the Koah replacement (KO-KIT-BLK22).
StatGear BOOMR Bungee Camera Strap (Red Logo)
Inspired by the popular bungee cord rifle slings used in the military, StatGear designed the patent-pending StatGear BOOMR Bungee Camera Strap to be the most comfortable camera strap/sling on the market! The Bungee cords are extremely strong and durable and incorporated into the design of BOOMR to act as shock absorbers which significantly decrease the weight load of carrying a camera around your neck or shoulders.
Imaging
| Sensor Resolution | 24.2 Megapixels |
| Maximum Resolution | 8496 x 5664 |
| Image Stabilization | Yes |
| Sensor Type | CMOS |
| Sensor Size | 35.6 x 23.8 mm |
| Megapixels | 24.20 |
Exposure Control
| Shutter Speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60 Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2 |
| ISO Sensitivity | [Normal] Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step), V-Log] Auto / 320* / 640-51200 (1/3 or 1 EV step), [HLG] Auto / 400-51200 / 102400* / 204800* (1/3 or 1 EV step) |
| Exposure Compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
| Metering Range | EV0-18 (F2.0 lens, ISO100 equivalent) |
| Self Timer | 10sec, 3 images / 2sec / 10sec / Custom Time |
| Metering Method | Light metering system: 1,728-zone multi-pattern sensing system, Light metering mode: Multiple / Center Weighted / Spot / Highlight Weighted, |
| Exposure Modes | Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available. |
| Continuous Shooting | Mechanical Shutter Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Electronic Shutter Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG) |
Viewfinder
| Viewfinder Eye Point | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) |
| Viewfinder Magnification | Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 |
| Viewfinder Size | Approx. 3.68 million dots |
Flash
| Flash Sync Speed | Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode. |
| Flash Compensation | 1/3EV step ±3EV |
| Flash Modes | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off |
| Dedicated Flash System | TTL |
Interface
| Wireless | Bluetooth |
| Memory Card Slot | SD |
Physical
| Camera Series | Lumix S |
| Battery | Li-ion Battery Pack |
| Camera Model | Panasonic LUMIX DC-S5M2 |
| Configuration | Bundle 1 |
Monitor
| Monitor Size | 3 inch |
- When using full-frame lenses:
- 3:2: 6000 x 4000(L)/4272 x 2848(M)/3024 x 2016(S)/12000 x 8000(XL)*/8496 x 5664(LL)* *High Resolution mode.
- 4:3 5328 x 4000(L)/3792x2848(M)/2688x2016(S)/10656 x 8000(XL)*/7552 x 5664(LL)* *High Resolution mode.
- 16:9: 6000 x 3368(L)/4272 x 2400(M)/3024 x 1704(S)/12000 x 6736(XL)*/8496x4784(LL)* *High Resolution mode.
- 1:1: 4000 x 4000(L)/2848 x 2848(M)/2016x2016(S)/8000 x 8000(XL)*/5664x5664(LL)* *High Resolution mode.
- 65:24: 6000 x 2208(L)
- 2:1: 6000 x 3000(L)
- When using APS-C/super 35mm lenses:
- 3:2: 3984 x 2656(L)/2880 x 1920(M)/2064 x 1376(S)
- 4:3: 3536 x 2656(L)/2560 x 1920(M)/1840x1376(S)
- 16:9: 3984 x 2240(L)/2880 x 1624(M)/1920 x 1080(S)
- 1:1: 2656 x 2656(L)/1920 x 1920(M)/1376 x 1376(S)
- MOV: H.264/MPEG-4 AVC, H.265/HEVC
- MP4: H.264/MPEG-4 AVC, H.265/HEVC
- MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
- MP4: AAC (2ch 48kHz/16-bit) When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).
- 59.94Hz full:
- 6K 5952 x 3968 (3:2):
- 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 6K 5952 x 3136 (17:9):
- 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 5.9K 5888 x 3312 (16:9):
- 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- C4K 4096 x 2160:
- 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 4K 3840 x 2160:
- 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- FHD 1920 x 1080:
- 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- APS-C/pixel/pixel:
- C4K 4096 x 2160:
- 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 4K 3840 x 2160:
- 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 3.3K 3328 x 2496 (4:3):
- 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- FHD 1920 x 1080:
- 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
- 100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
- 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
- *When the image area of the video is set to APS-C.
- Auto/50*/100-51200/102400*/204800* (1/3 or 1 EV step) *Extended ISO
- V-Log
- Auto/320*/ 640-51200 (1/3 or 1 EV step) Extended ISO
- HLG
- Auto/400-51200 / 102400/ 204800 (1/3 or 1 EV step) *Extended ISO
- Normal
- Native ISO: 100, 640
- Auto: Auto/ 50/100-51200/102400/ 204800 extended ISO
- Low: Auto/50*/100-800 *extended ISO
- High: Auto / 320/640-51200 / 102400/ 204800* *Extended ISO
- V-Log
- Native ISO: 640, 4000
- Auto: Auto/320/640-51200 extended ISO
- Low: Auto/320/640-5000 extended ISO
- High: Auto/2000/4000-51200 extended ISO
- HLG
- Native ISO: 400, 2500
- Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
- Low: Auto / 400-3200
- High: Auto / 2500-51200 / 102400* / 204800* *Extended ISO
- Cinelike D2/Cinelike V2
- Native ISO: 200, 1250
- Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO
- Low: Auto /100* / 200-1600 *Extended ISO
- High: Auto / 640* / 1250-51200 / 102400* / 204800* *Extended ISO
- AE lock: Set the Fn button in the custom menu to AE lock
- B.I.S. (5-axis / 5-stop*) *Based on the CIPA standard (Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.)
- Dual I.S. 2 (6.5-stop*) *Based on the CIPA standard (Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.)
- Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
- Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
- Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60
- Motion picture: 1/16,000 - 1/25
- Creative video M mode/MF mode: 1/16,000 - 1/2
- Mechanical shutter/electronic front curtain shutter:
- H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with live view)
- M: 5 frames/sec (AFS/MF) (with live view), 5 frames/sec (AFC) (with live view)
- L: 2 frames/sec (AFS/AFC/MF) (with live view)
- Electronic shutter:
- SH30: 30 frames/sec (AFS/AFC/MF)
- H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with live view)
- M: 5 frames/sec (AFS/MF) (with live view), 5 frames/sec (AFC) (with live view)
- L: 2 frames/sec (AFS/AFC/MF) (with live view)
- H/M/L*
- RAW+JPEG: More than 200 images
- RAW: More than 200 images
- JPEG: More than 300 images
- *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
- *When using a card with SD speed class with UHS-II UHS speed class 3 (U3).
- SH
- RAW / RAW+JPEG / JPEG: 200 images
- Photo style: Standard/Vivid/Natural/L. Classic Neo/Flat/ Landscape/Portrait/Monochrome/L. Monochrome/L. Monochrome D/L. Monochrome S/Cinelike D2/Cinelike V2/Like709/V-Log/REAL TIME LUT/Like2100 (HLG)/Like2100 (HLG) Full Range*/My Photo Style 1-4 (5-10)*
- *Set to ON from Show/Hide Photo Style to select.
- Picture adjustment: Contrast/Highlight/Shadow/Saturation/Color Tone/Hue/Filter Effect/Grain Effect/Color Noise/Sharpness/Noise Reduction/ISO/WB/LUT
- *Adjustable settings vary depending on the Photo Style mode.
- HDMI TypeA
- Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When 4ch Mic Input) is set to OFF.), 4ch (When 4ch Mic Input) is set to ON.)
- 59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p*
- 50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p*
- 24.00Hz: C4K/24p / 4K/24p / 1080p *Only for playback
- Built-in microphone:
- Stereo
- Wind noise canceller: OFF / Standard / High
- Li-ion battery pack (7.2V, 2200mAh, 16Wh) (bundled)
- USB power supply, USB power charging, USB power delivery
- Approx. 5.29 x 4.03 x 3.55 inch ((134.3 x 102.3 x 90.1 mm) (Body only, excluding protrusions)
- Approx. 5.29 x 4.03 x 6.19 inch (134.3 x 102.3 x 157.0 mm) (with S-R2060, excluding protrusions)
- Approx. 5.29 x 4.03 x 5.98 inch (134.3 x 102.3 x 151.8 mm) (with S-S50, excluding protrusions)
- Approx. 1.64 lb (740g) (Body, hot shoe cover, battery, SD memory card x 1) (excluding body cap)
- Approx. 1.45 lb (657g) (Body, hot shoe cover) (excluding body cap)
- Recording: LUMIX Tether. This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software. LUMIX Sync. This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
- Playback and editing: The software to process RAW files on the computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using a computer connected to the Internet.
- High density memory foam, covered by 1 inch polypropylene,
- Anodized rubber carabiner and D ring
Panasonic LUMIX Full Frame Camera Firmware Update - S5II Firmware V3.0 and S5IIX Firmware V2.0
Panasonic LUMIX S5II Hybrid Full Frame Mirrorless Camera Body
Type
| Type | Digital single-lens mirrorless camera |
| Lens mount | L-mount |
| Type 35mm full-frame (35.6mm x 23.8mm) CMOS sensor | |
| Camera effective pixels/total pixels | 24.20 megapixels/25.28 megapixels |
| Anti Reflection coating | Yes |
| Aspect ratio/color filter | 3:2/primary color filter |
| Dust reduction system | Image sensor shift type |
Latitude
| Latitude | 14+ stops (V-log) |
Still Image
| Recording file format | JPEG (DCF, Exif 2.31), RAW |
| Aspect ratio | 4:3/3:2/16:9/1:1/65:24/2:1 |
| File size (pixels) | |
| Image quality | RAW/RAW+fine/RAW+standard/fine/standard (high-resolution mode: combined/RAW/RAW+fine/fine) |
| Color space | sRGB, AdobeRGB |
Motion Picture
| Recording file format | |
| Audio format | |
| System frequency | 59.94Hz/50.00Hz/24.00Hz |
| Image area of video | Full/APS-C/PIXEL/PIXEL |
| MOV |
Viewfinder
| Type | OLED live viewfinder |
| Pixels | Approx. 3.68 million dots |
| Field of view/magnification | Approx. 100%/Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 |
| Eye point/diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) |
| Eye sensor | Yes |
| Display speed | 120fps/60fps |
Rear Monitor
| Type | TFT LCD monitor with static touch control |
| Monitor size | Free-angle, 3.0-inch (7.6cm), 3:2 aspect |
| Pixels | Approx. 1.84 million dots |
| Field of view | Approx. 100% |
Status LCD
| Status LCD | - |
Focus *3
| Type | Phase detection AF system/Contrast AF system |
| DFD technology Yes | |
| Focus mode | AFS (Single)/AFC (Continuous)/MF |
| AF mode | Tracking/Full Area AF/Zone (Horizontal/Vertical)/Zone/1-Area+/ 1-Area/Pinpoint. *Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set. |
| AF detective range | EV -6 - 18 (F1.4, ISO100 equivalent, AFS) |
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
| AF assist light | Yes |
| AF lock | Set the Fn button in the custom menu to AF lock |
| Focus ring control | Nonlinear/Linear (90-degree/ 120-degree/ 150-degree/180-degree/210-degree/240-degree/270-degree/300-degree/330-degree/360-degree/720-degree/1080-degree/maximum) |
| Others | AF-ON, AF-ON: near shift, AF-ON: far shift, focus limiter, focus peaking, 1-area AF moving speed, AF micro adjustment, continuous AF (during motion picture recording), focus/shutter priority, focus switching for vert/hor, AF/AE lock hold, AF+MF, MF assist, MF guide, focus ring lock, show/hide AF mode, shutter AF, half press shutter, quick AF, eye sensor AF, loop focus frame, enlarged live display (video), touch shutter, touch AF/AE function, touchpad AF, lens focus resume |
Exposure Control
| Light metering system | 1,728-zone multi-pattern sensing system |
| Light metering mode | Multiple/center weighted/Spot/Highlight |
| Weighted metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
| Mode dial | Program AE (P)/aperture priority AE (A)/shutter priority AE (S)/manual exposure (M)/creative video(P/A/S/M)*/slow and quick/custom 1, 2, 3/intelligent auto *The same exposure operations as P/A/S/M mode is available. |
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
| ISO sensitivity (Standard output sensitivity) Normal | |
| Dual native ISO |
Image Stabilization System
| Image stabilization system |
White Balance
| White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
| White balance adjustment | Blue/amber bias, magenta/green bias |
| Color temperature setting | 2500-10000K in 100K |
Shutter
| Type | Focal-plane shutter |
| Shutter speed | |
| Self timer | 10sec, 3 images/2sec/10sec/custom time |
| Remote control | Remote control by DMW-RS2 (sold separately) |
| Silent mode/shutter type | Yes/Yes (Auto/mechanical/electronic front curtain/electronic/electronic+NR) |
Bracket
| AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
| Aperture bracket | 3, 5 or all positions |
| Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
| White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Burst Shooting
| Burst speed | |
| Number of recordable images |
Flash
| Flash type | TTL External Flash (sold separately) |
| Synchronization speed | Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode. |
| Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
| Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
| Flash output adjustment | 1/3EV step ±3EV |
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), wireless channel: 1ch/2ch/3ch/4ch |
Extra Tele Conversion
| Extra tele conversion | L 2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording. |
Color Setting
| Photo style | |
| Filter | Expressive/Retro/Old Days/High Key/Low Key/Sepia / Cross Process / Bleach Bypass |
| LUT library | Vlog_709 / Set 1-10 *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings. |
Motion Picture Function
| Time lapse shot | Yes |
| Stop motion animation | Yes |
| Live cropping | Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes) |
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB |
| Luminance level | 8-bit: 0-255 / 16-235 / 16-25510-bit: 0‒1023 / 64‒940 / 64‒1023 |
| Synchro scan | Yes Master pedestal level 31 steps Color bars / 1kHz test tone Yes (SMPTE / EBU / ARIB) / Yes |
| LUT view assist | Supported file types- .vlt, .cube |
| Monitor / HDMI | |
| HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) |
| Anamorphic de-squeeze display | 2.0x/1.8x/1.5x/1.33x/1.30x/OFF Waveform monitor / Vectorscope Selectable |
| Knee control | Yes (in Like709 mode) |
| Red REC frame indicator | ON / OFF |
Vertical Position Information
| Vertical position information | Still image/motion picture (ON/OFF) |
Level Gauge
| Level gauge | Yes |
Function Button
| REC | Exposure Comp. / Dual Native ISO / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow and Quick Setting / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default |
| Play | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic De-squeeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default |
OSD Language
| OSD language | P: Refer to the OSD sheet |
Interface
| USB | USB type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) |
| HDMI | |
| Monitor-through | 4:2:2 10bit (When Rec Quality) is set to 4:2:2 10bit) or 4:2:0 10bit.) |
| 4 | 2:2 8bit (When Rec Quality) is set to 4:2:0 8bit.) |
| Playback | |
| Remote input | 2.5mm |
| Audio | |
| External microphone/External audio device input | 3.5mm for external microphone / external audio device |
| MIC (Plug-in Power) / MIC / LINE | |
| Wind Cut | OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately). |
| Special Mic | Stereo / Shotgun *When attaching DMW-MS2 (sold separately). |
| XLR microphone | Yes with DMW-XLR1 (sold separately) |
| 4ch mic input | Yes with DMW-XLR1 (sold separately) |
| Speaker | Monaural |
| Headphone output | 3.5mm |
| SD card slot | Slot 1, Slot 2 SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. |
TC IN /OUT
| Count up | Rec run/free run |
| Time code mode | Drop frame/non-drop frame (When system frequency 59.94Hz is selected.) |
| HDMI time code output | ON / OFF |
Fan
| Fan | Auto1 / Auto2 / Fast / Normal / Slow* / OFF***Not selectable when the resolution is higher than C4K, or the frame rate is higher than 60p. **OFF can be set when in iA/P/A/S/M mode. |
Wireless
| 2.4GHz bands (STA/AP) (IEEE802.11b/g/n) | |
| 5GHz bands (STA) (IEEE 802.11a/n/ac) | |
| Security | WPA/WPA2/WPA3 Please refer to Wi-Fi sheet |
| Bluetooth | Bluetooth v5.0 (Bluetooth Low Energy (BLE)) |
| Wi-Fi |
Dust and Splash Resistant
| Dust and splash resistant | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
Power
| Battery | |
| Battery life (CIPA standard) | Approx. 370 images, 1,250 images (Power Save LVF mode*) with S-R2060 |
| Approx. 370 images, 1,200 images (Power Save LVF mode*) with S-S50 | |
| *Under the test conditions specified by Panasonic based on CIPA standards. When the time to get in the sleep mode is set to 1 sec. | |
| Continuous recordable time (Motion picture) (*1) MP4 4K/60p | Approx. 90 min (APS-C), MP4 FHD/60p: Approx. 130 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged. |
| Actual recordable time (Motion picture) (*1) MP4 4K/60p | Approx. 45 min (APS-C), MP4 FHD/60p: Approx. 65 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged. |
| Battery grip DMW-BGS5 (sold separately) |
Dimensions and Weight
| Dimensions | |
| Weight |
Operating Environment
| Operating temperature | 0 to 40-degree-C (32 to 104-degree-F) |
| Operating humidity | 10%RH to 80％RH |
Standard Accessories
| Software | |
Panasonic LUMIX S 24-105mm f/4 L-Mount Macro OIS Lens
| Mount | L-Mount |
| Optical image stabilizer | Yes |
| Focal length | 24-105mm |
| Aperture type | 9 diaphragm blades / Circular aperture diaphragm |
| Maximum aperture | f/4.0 |
| Minimum aperture | f/22 |
| Closest focusing distance | 0.30m / 0.98ft |
| Maximum magnification | Approx. 0.5x |
| Lens construction | 16 elements in 13 groups (2 aspherical ED lenses, 2 aspherical lenses, 1 UED lens, 2 ED lenses) |
| Diagonal angle of view | 84°(Wide) - 23°(Tele) |
| Dust and splash resistant | Yes |
| Recommended operating temperature | -10 to 40°C (14 to 104°F) |
| Filter size | φ77mm |
| Max. diameter | φ84mm / 3.31inch |
| Overall length | Approx. 118mm / 4.65inch (from the tip of the lens to the base side of the lens mount) |
| Weight | Approx. 680g (excluding lens cap, lens rear cap and lens hood) |
| Weight | Approx. 23.99oz (excluding lens cap, lens rear cap and lens hood) |
| Lens Construction | 9 elements in 8 groups (3 aspherical lenses, 1 ED lens, 1 UHR lens) |
| Mount | L-Mount |
| Optical Image Stabilizer | No |
| Focal Length | f=50mm |
| Aperture Type | 9 diaphragm blades / Circular aperture diaphragm |
| Maximum Aperture | F1.8 |
| Minimum Aperture | F22 |
| Closest Focusing Distance | 0.45m/1.48ft |
| Maximum Magnification | 0.14x |
| Diagonal Angle of View | 47° |
| Dust and Splash Resistant | Yes* |
| Recommended Operating Temperature | -10℃ to 40℃ (14℉ to 104℉) |
| Filter Size | φ67mm |
| Max. Diameter | φ73.6mm / 2.90inch |
| Overall Length | Approx. 82.0mm / 3.23inch (from the tip of the lens to the base side of the lens mount) |
| Weight | Approx. 300g / 0.66lb (excluding lens cap, lens rear cap and lens hood) |
| Standard Accessories | Lens cap, Lens rear cap, Lens hood |
Saramonic VMIC5 Pro Camera-Mount Shotgun Microphone
| Acoustic Principle | Condenser |
| Polar Pattern | Supercardioid |
| Frequency Response | 20Hz to 20kHz |
| Maximum SPL | 130dBu |
| Sensitivity | -14±3dB (0dB=1V/Pa @ 1KHz) |
| Signal-to-Noise Ratio | 85dB |
| Output Impedance | 200Ω |
| Gain | -10d / 0dB / 20dB |
| High-pass Filter | 0Hz / 75Hz / 150Hz |
| Maximum Output Level | 7.5dBu (@1kHz,1%THD into 1kΩ) |
| Output | Female 3.5mm TRS |
| Power Consumption | 3.7V/2000mAh (Built-in Battery) |
| Battery Life | 120-hours |
| Other Functions | High-Frequency Boost & Auto Power |
| Dimensions | 7.3 x 4.3 x 2.6″ (185 x 109 x 66mm) |
| Weight | 6.5oz (185.5g) |
Koah DMW-BLK22 Lithium-Ion Battery Pack (7.2V, 2250mAh)
| Compatibility | Panasonic LUMIX S5, GH5, G9, GH5s |
| Type | Lithium-ion |
| Voltage | 7.2V |
| Capacity | 2250mAh |
| Energy | 16.2Wh |
| Color | Black |
| Country of Origin | Made in China |
| Warranty | 3-year limited warranty |
StatGear BOOMR Bungee Camera Strap (Red Logo)
| Color | Red |
| Materials |
Shipping & Returns
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
