Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G Lens
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ILME-FR7 is the world’s first camera to combine lens interchangeability, a full-frame image sensor, and pan/tilt/zoom (PTZ) functionality. The camera features a back-illuminated Exmor R image sensor with 10.3 effective MP and a BIONZ XR processor for superb image quality. Compatibility with Sony’s extensive E-mount lens lineup works with the remote pan/tilt/zoom control to break through location and space limitations for unprecedented creative potential. It also offers the cinematic look and operability that have made Sony digital cinema cameras leaders in the field, plus versatile connectivity and efficient multi-camera workflow support.
Remotely Controlled Pan/Tilt/Zoom Mechanism
With its integrated remotely controllable pan/tilt mechanism, ILME-FR7 can be mounted on a tripod, on a ceiling, or in other locations that provide limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. Pan and tilt speed can be continuously varied from 0.02 degrees/sec to 60 degrees/sec, supporting a wide range of precise camera movements. The pan angle range is from -170 to +170-degree, and the tilt angle range is from -30 to +195-degree when used in an upright orientation, or from -210 to +15-degree inverted. FR7 is also compatible with Sony’s RM-IP500 remote controller for a multi-camera production, further expanding creative potential. A single RM-IP5005 unit can remotely control up to 100 FR7 cameras (10 groups of 10 cameras).
Compatible with 70 E-Mount Lenses
The ILME-FR7 features Sony’s E-mount and can be used with all E-mount lenses, including the superlative G Master series with stunning resolution and world-class bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control. Power zoom models can be controlled remotely and provide unique framing flexibility.
Web App for Control by Tablet or PC Via Web Browser
With a new dedicated web application built in, pan, tilt, zoom, focus, record, playback, and all camera settings can be controlled from a tablet or computer web browser. This provides easy, versatile remote control for situations where the camera is mounted on a ceiling or other hard-to-access location. The FR7 be used with Sony’s high-performance RM-IP500 remote controller providing precise joystick-controlled pan, tilt, and zoom operation. Speed adjustment knobs allow pan, tilt, zoom, focus, and speed adjustment to match the subject and application. Zoom can be controlled either via the joystick or a seesaw lever, to match operator needs.
High Sensitivity Up To ISO 409,600
In order to take full advantage of the imager’s high sensitivity, the FR7 has a Base Sensitivity setting that allows ISO to be expanded up to 409600 when shooting in low light. In Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions, making it possible to minimize noise while maintaining a consistent look. Furthermore, a wide 15+ stops dynamic range prevents blown highlights and blocked shadows.
In-Camera Slow and Quick Motion
The ILME-FR7 allows internal slow-motion capture at QFHD resolution and a high 120 fps frame rate. Smooth 5x slow motion13 affords extensive creative possibilities. 120 fps footage can be recorded at the camera’s highest quality XAVC-I 4:2:2 10-bit Class 300. Full HD can be recorded at 240 fps allowing 10x slow motion (24p recording).
Focus
| Focus Points | Phase Detection: 627 |
Imaging
| Sensor Resolution | 10.3 Megapixels |
| Lens Mount | Sony E-Mount |
| Maximum Resolution | 4096 x 2160 |
| Sensor Type | CMOS |
| Sensor Size | FullFrame |
| Megapixels | 10.30 |
Exposure Control
| Shutter Speed | 64 frame to 1/8000 sec |
| ISO Sensitivity | ISO 800/12800 (Cine EI mode, D55 Light source) |
Video
| Video Resolution | 4096 x 2160 |
| Live Streaming | Yes |
| Recording Modes | Raw 16-Bit via SDI/BNC 4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p 3840 x 2160 at 23.98p/25p/29.97p/50p/59.94p 1920 x 1080 at 23.98p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p HDMI 4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p 3840 x 2160 at 23.98p/25p/29.97p/50p/59.94p 1920 x 1080 at 24.00p/25p/29.97p/50i/50p/59.94i/59.94p 720 x 480 at 59.94p 720 x 576 at 50p |
Interface
| Memory Card Slot | SDXC |
Physical
| Battery | 1 x Barrel (19.5 VDC) Input |
| Camera Model | Sony FR7 Cinema |
| Configuration | Core |
| Color | Black |
| Mount Type | Wall-Mount |
| Maximum Tilt Angle | Tilt angle range is from -30° to +195° when used in upright orientation, or from -210° to +15° inverted |
Miscellaneous
| Lens Included | 28-135mm |
Lens
| Optical Zoom | 4.8x |
| Focal Length | 28-135mm |
| Maximum Aperture | f/4.0 |
| Optical Design | 18 Elements in 12 Groups |
| Minimum Aperture | f/22 |
| Focus Range | 0.40 m |
- Approx. 6.0 kg (with SELP28135G LENS)
- Approx. 13 lb (3.6 oz) (with SELP28135G LENS)
- Approx. 227 x 289 x 233 mm (body without protrusions)
- Approx. 9 x 11 1/2 x 9 1/4 inch (body without protrusions)
- DC 19.5 V
- PoE++(IEEE802.3bt Type 4 Class 8 compliant) 41.1 V to 57.0 V
- ≦80 W(DC 19.5 V)
- ≦71.3 W(PoE++)
- 0-degree-Celcius to 40-degree-Celcius
- 32-degree-Fahrenheit to 104-degree-Fahrenheit
- -20-degree-Celcius to +60-degree-Celcius
- -4-degree-Fahrenheit to +140-degree-Fahrenheit
- [XAVC Intra]
- XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
- XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
- XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
- XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
- XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
- XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
- XAVC-I QFHD 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
- XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
- XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
- XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
- XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
- XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
- XAVC-I HD 50p mode: CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
- XAVC-I HD 29.97p mode: CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
- XAVC-I HD 25p mode: CBG, MAX bit rate 112 Mbps, MPEG-4 AVC/H.264
- XAVC-I HD 23.98p mode: CBG, MAX bit rate 89 Mbps, MPEG-4 AVC/H.264
- [XAVC Long]
- XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
- XAVC-L QFHD 59.94p/50p mode: VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
- XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
- XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
- LPCM 24 bits, 48 kHz, 4 channels
- [XAVC Intra]:
- XAVC-I DCI4K mode: 4096 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, 24p
- XAVC-I QFHD mode: 3840 x 2160/59.94p, 50P, 29.97p, 23.98p, 25p
- XAVC-I HD mode: 1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
- [XAVC Long]:
- XAVC-L QFHD mode: 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
- XAVC-L HD 50 mode: 1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
- XAVC-L HD 35 mode: 1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
- [XAVC Intra]
- XAVC-I DCI4K/QFHD 59.94p
- When using CEA-G160T (160 GB): Approx. 30 minutes
- When using CEA-G80T (80 GB): Approx. 15 minutes
- XAVC-I DCI4K/QFHD 50p
- When using CEA-G160T (160 GB): Approx. 36 minutes
- When using CEA-G80T (80 GB): Approx. 17 minutes
- XAVC-I DCI4K/QFHD 29.97p
- When using CEA-G160T (160 GB): Approx. 60 minutes
- When using CEA-G80T (80 GB): Approx. 29 minutes
- XAVC-I DCI4K/QFHD 25p
- When using CEA-G160T (160 GB): Approx. 71 minutes
- When using CEA-G80T (80 GB): Approx. 35 minutes
- XAVC-I DCI4K 24p
- When using CEA-G160T (160 GB): Approx. 74 minutes
- When using CEA-G80T (80 GB): Approx. 36 minutes
- XAVC-I DCI4K/QFHD 23.98p
- When using CEA-G160T (160 GB): Approx. 74 minutes
- When using CEA-G80T (80 GB): Approx. 36 minutes
- XAVC-I HD 59.94p
- When using CEA-G160T (160 GB): Approx. 78 minutes
- When using CEA-G80T (80 GB): Approx. 38 minutes
- XAVC-I HD 50p
- When using CEA-G160T (160 GB): Approx. 78 minutes
- When using CEA-G80T (80 GB): Approx. 38 minutes
- XAVC-I HD 29.97p
- When using CEA-G160T (160 GB): Approx. 150 minutes
- When using CEA-G80T (80 GB): Approx. 74 minutes
- XAVC-I HD 25p
- When using CEA-G160T (160 GB): Approx. 150 minutes
- When using CEA-G80T (80 GB): Approx. 74 minutes
- XAVC-I HD 23.98p
- When using CEA-G160T (160 GB): Approx. 185 minutes
- When using CEA-G80T (80 GB): Approx. 91 minutes
- [XAVC Long]
- XAVC-L QFHD 29.97p/25p/23.98p
- When using CEA-G160T (160 GB): Approx. 170 minutes
- When using CEA-G80T (80 GB) Approx. 86 minutes
- XAVC-L QFHD 59.94p/50p
- When using CEA-G160T (160 GB): Approx. 115 minutes
- When using CEA-G80T (80 GB): Approx. 57 minutes
- XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p
- When using CEA-G160T (160 GB): Approx. 320 minutes
- When using CEA-G80T (80 GB): Approx. 155 minutes
- XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p
- When using CEA-G80T (80 GB): Approx. 210 minutes
- AVC/H.264 High Profile 4:2:0 Long GOP, VBR
- 1920 x 1080, 9 Mbps
- Type: Fast Hybrid AF (phase-detection AF / contrast-detection AF)
- Focus point: 627 points
- Focus area: Wide / Zone / Flexible Spot
- Other focus features: Eye AF (Human)
- Other focus features: AF Subj. Shift Sensitivity
- Other focus features: AF Transition Speed
- Other focus features: Face detection (Face/Eye Priority, Face/Eye Only AF )
- Other focus features: Real-time Tracking AF
- SDI: 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF
- HDMI: 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 720 x 480 / 59.94p, 720 x 576 / 50p
- XLR-type 5-pin (female) (x1),
- line/mic/mic +48 V selectable
- Mic Reference: -30 to -80 dBu
- BNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A/B), HD-SDI
- SFP+ compliant
- video is same as SDI, video output only
- RJ-45(OPTION) (x1)
- Red Tally IO/Green Tally IO
- IPv6: TCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP/RTCP, RTSP, SRT, FTP, FTPS
- IPv4: TCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP/RTCP, RTSP, VISCA over IP, SRT, NDI|HX, FTP, FTPS
- Video resolution: 4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360
- Compression format:
- H.264: High/Main/Baseline Profile
- H.265: Main/Main10 Profile
- Maximum frame rate:
- H.264: 59.94fps
- H.265: 59.94fps
- Bitrate control mode: CBR/VBR
- Range of bitrate setting: 512 Kbps~80 Mbps
- Windows: Windows 10 or later
- Mac: macOS 10.15 or later
- iPad: iPadOS 15 or later
- Android: Android 12 or later
- Windows: Google Chrome
- Mac: Google Chrome Safari
- iPad: Google Chrome Safari
- Andriod: Google Chrome
Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G Lens
General
| Mass | |
| Dimensions (W x H x D) | |
| Power requirements | |
| Power consumption | |
| Operating temperature | |
| Storage temperature | |
| Ceiling mount | Yes (with Ceiling Bracket option) |
| Tally lamp | Left(x1)/Right(x1), Red/Green |
| Recording format (Video) | |
| Recording format (Audio) | |
| Recording frame rate | |
| Recording/playback time | |
| Recording format (Proxy Audio) | : XAVC Proxy: AAC-LC, 128 kbps, 2 channels |
| Recording format (Proxy Video)XAVC Proxy |
Camera Section
| Imaging device (Type) | 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor |
| Number of pixels (total) | Approx. 12.9 megapixels |
| Number of pixels (effective) | Approx. 10.3 megapixels |
| Built-in Optical Filters | Clear, linear variable ND(1/4ND to 1/128ND) |
| ISO Sensitivity | ISO 800/12800 (Cine EI mode, D55 Light source) |
| Focus | |
| Output format |
Pan-Tilt Section
| Pan/Tilt angle | Pan: -170 degree to 170 degree |
| Tilt | -30 degree to 195 degree |
| Pan/tilt speed | Pan: 0.02 degree to 60 degree |
| Tilt | 0.02 deg. to 60 degree |
| Quietness | NC35 or less |
| Preset position | 100 |
Input / Output
| Audio input | |
| SDI output | |
| HDMI output | Type-A connector(x1) |
| Genlock input | BNC (x1), 1.0 Vp-p, 75 Ω |
| Optical output | |
| DC input | DC jack (x1) |
| Network | RJ-45 (LAN) (x1), 1000BASE-T |
| Remote control | |
| IR remote control | Yes |
| TC Input/TC output | BNC (x1), TC IN only |
Network/IP Streaming
| Protocols | |
| IP stream |
Web App
| Supported operation systems | |
| Supported web browsers | |
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.






